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For a movie that's supposed to be inspirational, director (Gitanjali Sinha) gives us blah lines, lackluster story-telling - which is emotional at times, with an exhaustingly slow pace - weakening the script further. The film unwinds at a lazy, sluggish pace which in itself wouldn't have been such a bad thing if it did create genuinely heart-warming moments without relying on melodrama or a sentimental overdose. Yeh Khula Aasmaan too predictable and boring. The message is timely and important, but the film doesn't effectively communicate it. But despite the film's core intentions, one cannot recommend this twisted moral-science of a lesson. The most appropriate description which comes to mind is contrived melodrama that has random plot points strung together. Far too hackneyed and boring to make for an engaging watch. Yeh Khula Aasmaan is a film stuck in limbo. As far as the story is concerned, though it is pleasant enough, there is nothing to hold the viewer's attention or interest and teamed up with a predictable end, slow pace and stereotypical characters and preachy messages.
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High on idealism but really low on skill. The film has a very repetitive, clichéd feel to it. They are cheesy, silly and sound very archaic. The script also lacks any good dialogues. Gitanjali Sinha’s script deals with the pressures faced by today’s students but despite the seriousness of the topic, it hasn’t been given a proper treatment. The actors, though, can't save the tedious show. Raj Tandon makes a fine debut, and Raghuveer Yadav's Dadu is credibly essayed. What could have been a touching and sensitive story falls flat on its face due to bad scripting, dreadful dialogues and poor acting. The plot takes the entire first-half to establish itself and the film completely drags on through the second half.
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No doubt, simplicity has its own beauty.but YEH KHULA AASMAAN remains too simple to be applauded from start to finish (lacking the beauty part). Unfortunately, it beats its purpose by doing exactly what it pointed a figure at to start with. Yeh Khula Aasman has some lovely, warm, genuine moments of camaraderie between grandparent and grandchild both because of hard work at writing and an heartfelt performances by the protagonists. You could see it fall apart as soon as Avinash's friends began saying lines meant to inspire. The preachy dialogue worked just a bit because it was within a relationship between a grandfather and his grandson. But, what I can tell you is that Yeh Khula Aasmaan is not a complete loss because of Raghuvir Yadav, Raj Tondon and the chemistry they create. I won't say which route Yeh Khula Aasmaan takes, that one you'll figure out as the movie progresses. There are indeed very few 'loser' protagonists who have succeeded as a story in a film. What happens to them? Or it just might be that there is no story worth making a film out of in there. This brings me to the question, what happens to people who don't succeed? There are people who haven't ever succeeded in anything they did. The metaphor is used beautifully in one song, but beyond that it becomes a bit much and all I could see was the need for Avinash ( Raj Tondon) to succeed. So, what if a simple medium of a kite-fight is used signify this larger thing called life. This then boils down to a child having to live up to someone or the others' expectations. While Ye Khula Aasmaan looks down upon parents tendency to put their children down as a way to bring a sense of responsibility, it adds the burden of bearing a grandparent's aspirations. That I found it far from ideal is a different matter. In that sense then, real emotion is what the relationship is about. Only these two seem to have real emotions. The rest of the cast is actually functional and thus caricaturish. So is debutant Raj Tondon's performance - he comes across as the perfect representative of the confused, diffident, complex age called adolescence. Whether or not I agree with what Raghuvir Yadav's character had to do, his performance is warm and endearing.